Under Sonoran Skies Archives - Jeanne Burrows-Johnson's Word Empowering Blog

AUDIO BOOKS 1

**The award winning first Natalie Seachrist Hawaiian Mystery**

Audio Books and Other Recordings…

Like many authors, I write both fiction and non-fiction, in essays and articles, as well as books. In addition to Prospect for Murder (the first Natalie Seachrist Hawaiian Mystery) and the anthology Under Sonoran Skies Prose and Poetry from the High Desert, I have periodically recorded interviews about my writing. Unfortunately, while reshaping my author website and ImaginingsWordpower.com, (my branding and development site), I discovered the new website building system does not allow embedding audio files directly from my desktop. Therefore, I have to place audio files in appropriate blogs, inserting website hyperlinks to connect readers to those blogs. Accordingly, you will find samples from PFM and USS below. Also, a lighthearted article, “Yuletide in Tucson 1876,” is available on the post Website Renewal, which also provides an audio player.”

While you may not have recorded samples of your own authorship, I offer the following background of the development of Under Sonoran Skies, Prose and Poetry from the High Desert in hope that it may help you on your own creative journey. [If you would like further information on this project, you can read about it on my author website. The six-author anthology [published in hardcopy, audio and eBook editions] was one of the top 50 picks of 2012 by Southwest Books of the Year.

HARMONY
I believe an invaluable issue in compiling any anthology is establishing harmony among the authors’ personalities, skill sets, and voices. Fortunately, the co-authors of USS had become acquainted in attendance of writers’ salons for a couple of years.

MY CO-AUTHORS
~ Bill Black, a magician, poet, prosaist, storyteller and MC, who has published numerous books and has been featured in regional and international magazines. His current works may be found at his author page on Amazon.com.

~ Susan Cosby-Patton, retired language arts instructor and poet who is published regionally and nationally.

~ Kay Lesh, PhD, educator and psychotherapist who authors professional articles and books and will soon be publishing a collection of short mysteries as well as a memoir.

~ The late Reverend Patricia Noble, an author, educator, and speaker who aired radio essays and published journal articles.

~ The late Larry Sakin, a political writer, radio talk show host, and green energy entrepreneur active in civic and literacy projects.

OUR COMPLEMENTARY WORK
Over time, we became familiar with the depth of our fiction and non-fiction work and recognized our complimentary voices. This led to a book of eleven themed chapters of poems, short stories, historical articles, and reflective essays. Our intention was to allow readers to work their way through the book sequentially, or select from varied subjects.

The topics of our assembled pieces include: animal companions; business; the environment; history, mythology, personal relationships; phases of life; philosophy; politics; and, war. As most anthologies address a single theme, you may be wondering how we knitted the book together. We began by grouping our disparate works by topic and then placing them in chapters. Imagine our delight when Patricia recognized the synchronicity of flipping the words in the titles of our first and last chapters, “Visioning the Craft” and “Crafting the Vision.”

INDIVIDUAL ASSIGNMENTS
Production work was apportioned based on experience and interest. Because Kay possesses a well-modulated voice, we asked her to record the front piece material and chapter headings. Susan had been involved with the fabrication of other publications. Therefore, she undertook text layout to meet the requirements of hardcopy and Online production. We also benefited from the breadth of Bill’s technical knowledge and Patricia’s grammar checking.

While Larry obtained most of the art images in the book, I addressed the overall design. This included utilizing a sunset image shot from my back lānai for the cover, and folio art to frame pagination. Because of my work in historical projects, I also undertook preparing a comprehensive index.

THE AUDIO EDITION
As the majority of our group had performance experience, we immediately decided to produce an audio, as well as a written edition. We were fortunate that Larry had been working with Jim Waters of Tucson Waterworks Recording for several years. With confidence in both the man’s technical and directing talents, it was easy for each of us to enter the studio for one or more recording sessions. Once Jim had the raw material, he was able to smooth out differences in speed, cadence, and tone. His final work was to prepare our audio files in several formats.

IN SUMMATION…for now
Was our work perfect? I don’t believe so, but I hope we have met our listeners’ expectations of a work addressing multiple subjects in truly varied voices. You will be the judge of the strengths and weaknesses of the few areas of consideration I’ve raised in this brief project overview.

I think my greatest advice to you is to consider the individual gifts of anyone involved in such a project. This means being aware of yourself, as well as those with whom you are working. A well-produced audio book can generates income. It is also a wonderful way of enhancing recognition of your brand and introducing your work to a greater audience!

Please be aware that the voices you’ll hear in USS vary. And I’ll admit that not all of us would be appropriate to undertaking the reading of an entire book. Finally, none of us would suggest publishing a work in any form without the input of other established authors, let alone a professional editor and perhaps a performance coach….

Now without further ado, here are a few audio samples from Under Sonoran Skies, Prose and Poetry from the High Desert. I hope you’ll enjoy these selections and understand why it’s my pleasure to continue working with these talented authors.

The Bourbon Eulogy by Bill Black

Prologue to Prospect for Murder by Jeanne Burrows-Johnson

As a Jewel in the Crown by Susan Cosby-Patton

Cookie Time by Kay Lesh

I hope you’ve enjoyed this brief introduction to one of my favorite projects! I have kept notes on the processes that I have undertaken in recording my writings as well as experiences in oral history projects. At some point, I will assemble them into another blog, if not a self-help book. For additional notes on my preparation of scripts for public speaking and recording audio projects, you might like to visit Public Speaking 1.

Wishing you the best in your creative endeavors,
Jeanne Burrows-Johnson, author, consultant, and motivational speaker

To learn more about the award-winning Natalie Seachrist Hawaiian Mysteries, including Murders of Conveyance [Winner, Fiction Adventure-Drama, 2019 New Mexico-Arizona Book Awards] and other projects, please drop in at my author’s website JeanneBurrows-Johnson.com . You’ll even find Island Recipes that might inspire your culinary creativity.

For more ideas to strengthen your Wordpower^© and branding, please visit: Imaginings Wordpower and Design Consultation.

Follow Me:
Amazon, Arizona Authors Association, Apple Books
Audible, Authors Den, Barnes and Noble, Blogarama, Book Bub
Cozy Mysteries-Unlimited, Facebook, Good Reads, Hometown Reads

Book sellers may contact book distributors such as:
Baker & Taylor, Follett, IPG, Ingram, Mackin, Midpoint, TitleWave

SUCCESSFUL COVER ART

SUCCESSFUL TEAMWORK YIELDS WINNING ART!

Successful cover art is the product of teamwork. In November 2018, Murder on Mokulua Drive [the second Natalie Seachrist Hawaiian mystery] won several awards. Notably, it won Second Place for Published Fiction in the 2018 Arizona Literary Excellence Contest. This was due in large part to the superb editing of Viki Gillespie, who has helped to refine each of the books in the series. Like Prospect for Murder, MOMD also won First Place for Cover Art Design in the New Mexico-Arizona Book Awards, where it was also a Finalist in the Cozy Mystery Category.

Let’s examine how the winning cover art for this series has been achieved…

TEAMWORK
Regardless of what you do in life, one of the major keys to your success is teamwork. Even when you are the primary producer of a product, you will be relying on the merchandise, talents, and skills of others. If you are an artist, you utilize a variety of products to create your art, and usually employ a framer to present your finished work to the world. Authors, whether self-published or working with a publisher, are likewise dependent on the output of others to finalize their creations. First, capturing their thoughts depends on a variety of manual and electronic tools. Succinct editing services are also required. Then there is the issue of layout, fortunately provided to me (along with overall publishing skills) by Geoff Habiger of Artemesia Publishing. Of course, he cannot complete his work without the final art designs brought to fruition by fine and graphic artist Yasamine June.

MY APPROACH TO ARTISTIC PROJECTS
While I possess some skill as a design consultant and can produce certain graphic art elements for marketing materials and my websites, I lack the tactile skills to produce truly refined artistic images. So where do I begin art projects? First there is the overall concept, generally driven by text I have already composed. For a book cover, the first consideration is determining the images that will evoke the essence of the story I need to highlight.

Fortunately, when I began writing the series, I composed timelines, chapter synopses, and descriptions of settings and characters. Even a cursory review of these elements reveals a list of those that may be appropriate to a book cover and supportive marketing materials. While some authors create new art for each of their works, I chose to present certain images with consistency including Miss Una, Natalie’s silent but fleet-footed feline companion and images like palm trees and ocean waters reflecting Hawai`i. In addition, I have conceived a recurring gold frame based on Hawaiian heirloom jewelry. I also utilize pagination folio art that I designed, and a gold hibiscus flower that Yasamine has refined. At the point that I have a list of elements that might be good for book jacket art, I begin roughing out a tentative layout in a graphic art software program.

ARTISTIC DEVELOPMENT
As I examine my list of suitable artistic elements, I manually draw a few pictures that fit the requisite portrait layout of a book cover—knowing that the final product can easily be converted to a square layout for an audio book. So where did the award-winning cover of Murder on Mokulua Drive begin?

First of all, Natalie’s life has shifted from a high rise in Waikīkī to a cottage in the beach community of Lanikai on the windward side of the island of O`ahu. Next was consideration of the fact that the murder in this story occurs at night. What does this add up to? A nighttime beach scene which includes the Mokulua islets, the moon, a palm tree, footprints in the sand, and Miss Una. Additionally, although I will not be completing the design, I try to allow space for the insertion of Titling in my signature Peignot font so that there will be no overlapping of images and text. Here is the initial layout I sent to Yasamine which was a rough copy and paste of elements I found evocative.

How did Yasamine’s magic polish this concept?

Since this is the second book in the NS mysteries, I had been through the publishing process for the series once. Additionally, I was able to draw on my experience as art director for the well-received multi-author anthology, Under Sonoran Skies, Prose and Poetry of the High Desert. For that project, I featured a picture I shot of the desert at sunset from my back lānai.

Whatever your artistic needs may be, I urge you to be involved in the process, even if you are unable to finalize the images yourself. The input you provide to a professional artist will ensure a product that reflects your own work and the goals you may be setting for future projects…Here’s a look at the before and after images for Murders of Conveyance, which was released in early 2019! As I edit this in April of 2021, I can happily report that this third book in the Natalie Seachrist Hawaiian Mysteries was a finalist for art and WINNER FOR FICTION ADVENTURE-DRAMA IN THE 2019 NEW MEXICO ARIZONA BOOK AWARDS!

As noted, the award winning book covers for the Natalie Seachrist Hawaiian Mysteries [as well as that for the forthcoming Conversations with Auntie Carol] were designed by Yasamine June. Her many talents include: Creative Direction; Fine art; Graphic Design; Illustration; Photography; Typography; and Videography. You can learn more about her at YasamineJune.com/about.

Wishing you the best in your creative endeavors,
Jeanne Burrows-Johnson, author, consultant, and motivational speaker

Further discussion of art is available at the following blog posts:
Authors Design Dilemmas 1, April 2015
Confronted by a Fantasia of Fonts, May 2015
Rainbows of Color, May 2015
Winning Logos & Slogans, October 2015
Quality Book Production, February 2016
Harmonizing Branding Elements, August 2016
Book Promotion and Evolving Art, January 2017
Balancing Text and Space, February 2018
Successful Cover Art, December 2018

For more ideas to strengthen your Wordpower^© and branding, please visit: Imaginings Wordpower and Design Consultation.

Follow Me:
Amazon, Arizona Authors Association, Apple Books
Audible, Authors Den, Barnes and Noble, Blogarama, Book Bub
Cozy Mysteries-Unlimited, Facebook, Good Reads, Hometown Reads

Book sellers may contact book distributors such as:
Baker & Taylor, Follett, IPG, Ingram, Mackin, Midpoint, TitleWave

BOOK SERIES ADVENTURES

ENJOYING YOUR ADVENTURES IN PUBLISHING…

This blog first appeared on https://HometownReads.com, which I highly recommend to both readers and authors seeking to learn more about the art and business of publishing books! You can click on https://HometownAuthors.com to view a variety of articles from member authors…

As an author, you may have experienced both lows and highs if you have managed to publish a book series! It’s a true accomplishment, regardless of whether you planned it or not. But while you were promised great things would emerge at this point in your writing career, you are facing more than a few challenges. Allow me to tell you about issues I’ve confronted during the publications of Murder on Mokulua Drive, the second Natalie Seachrist Hawaiian mystery…

ELEMENTAL CONSISTENCY
Beyond avoiding copyright violation in the chapter-opening quotes I use, I guard against repetition. During pre-publication review of Murder on Mokulua Drive, I discovered I’d reused a quote from Prospect for Murder. My records of aphorisms now indicate when and where a quote is used. Also, I discovered that I changed the color of a primary character’s truck. I have since created an expanding document listing aspects of the series as well as individual characters, their work, their home, and even their pets.

CHARACTER AND LOCAL PARITY
~ Initially, I had a male protagonist. Whoops…my writers’ salon found that “voice” more appropriate to a woman.

~ Names, their spellings, descriptions, and pronunciation must all be checked. Imagine my chagrin in realizing I’d changed a name’s pronunciation mid-way through PFM’s audio edition!

~ While my protagonist thinks in whole words, she speaks with contractions. I now begin each book by reviewing my chart of persons, places, and their characteristics.

PLURALITY
Promotional text highlighting aspects of a single book must encompass each title in a series. Having multiple titles often means having different editions. For PFM, I had hardcover, softcover, Ebook, and physical and digital audio editions. MOMD is currently available in only hardcover and Ebook. I have to remember to omit audio references (like “Audible.com”) when describing the second book.

PRESENTING YOURSELF
If you have a publisher or literary agent, they may have guidelines for presenting yourself personally, online, and in traditional and social media. If you’ve never been in the public eye, you may be grateful for their suggestions about wardrobe, hair, accessories, and makeup [yes, men sometimes require makeup].

Beyond any grooming and/or behavioral adjustments you may need to make for public appearances, you will probably need to vary your public stance depending on the venue or type of media. I’m not suggesting that you become a shape-shifting chameleon, but envisioning each audience will help you view yourself as they will. For instance, wearing a suit may be ideal for some locales and audiences, but something less formal may be best for others.

MARKETING YOURSELF
Regardless of who directs your marketing, examine media kit samples to see what you should prepare. This will include bios, photos, sample media releases, and relatable stories, covering:
~ Background [family, education, career]
~ Daily Life [home, work, writing locale, pets, hobbies]
~ Writing Methodology [research, writing, editing]
~ Influential People [affecting your work and life]
~ Author Experiences
~ Changes in Your Writing

ELASTIC PROMOTIONAL TEXT
Were you initially described as a debut author? That’s no longer relevant. What other life changes will impact your self-description. Are you in a new professional position? Where do you live, or travel for research, sales, and presentations? Periodically (and in varying length), you’ll need to restructure text for:
~ Media releases about books, awards, appearances
~ Bios for ads, event programs, introductions
~ Submission of your work for reviews and contests
~ Website discussions of your life and authorship
~ Social media posts, comments, and event announcements

WELCOMING IMAGES
Gather images to stimulate the interest of colleagues, readers, listeners, and the general public including:
~ You and your normal surroundings
~ Events in which you have participated
~ Images attracting your interest
~ Organizational and community events in which you have been involved
~ Images relevant to characters, scenery, and activity in your writing

DESIGNING AND REDESIGING INVITING WEBSITES AND BLOGS
I must confess that this is a recurring theme in this blog, because the process is never complete. Working alone or with a web master, there are many aspects to consider on a regular basis. First, consider that you may have a website dating from before you became an author. Some of its elements may be recyclable…if you feel the appearance of the original site is compatible with your current work. With bios, book synopses, and pertinent images being available, much of the material you need as an author should be ready to upload. You just need to weave it all together to appropriately reveal aspects of yourself and your work. Consider:

~ Styles appealing to your target market [realism, art deco, country kitch…]
~ Colors [you like and wear; those describing your work]
~ Shapes reflecting your style and work [linear or curved]
~ Textures, natural or man-made [wood, silk, metal, stone, plastic]

Final thoughts? Well, there’s nothing final about the process of writing…or of marketing your work. As with your compositions, keeping electronic and hardcopy samples of your promotional material, will help you shape attractive representations of your unfolding life’s work!

Wishing you the best in your creative endeavors,
Jeanne Burrows-Johnson, author, consultant, and motivational speaker

Tips to enhancing your writing may be found in:
Empowering Your Words, February 2015
Creating Fictional Characters, March 2015
Sidestepping Writer’s Block, April 2015
Communicating with Every Sense, May 2015
Energizing Narrative Passages, September 2015
The Author Recycles, July 2017
Balancing Text & Space, February 2017
Book Series Adventures, April 2018
Drawing on Sense Memories, July 2018

For more ideas to strengthen your Wordpower^© and branding, please visit: Imaginings Wordpower and Design Consultation.

Follow Me:
Amazon, Arizona Authors Association, Apple Books
Audible, Authors Den, Barnes and Noble, Blogarama, Book Bub
Cozy Mysteries-Unlimited, Facebook, Good Reads, Hometown Reads

Book sellers may contact book distributors such as:
Baker & Taylor, Follett, IPG, Ingram, Mackin, Midpoint, TitleWave

THE AUTHOR RECYCLES

NEW CREATIONS FROM PAST WORK

Is your pen at the ready at all times? In past blogs I’ve talked about examining your previous work as a writer. Not only does this allow you to measure your progress, it also provides a pool of sources for new directions in content and style. I am a member of the National Writers Union and the local chapter recently asked me to be their featured speaker at a monthly meeting. Often, their speakers read from current projects, but since I’d help to fill in the previous month with a reading of both the Prologue and Epilogue from PROSPECT FOR MURDER [the debut title of the Natalie Seachrist Hawaiian Mysteries], I decided to give a talk on how I’ve recycled parts of past projects. While there’s nothing novel in this concept, I thought that in detailing how I’d used pieces I’d created during my years in Arizona, I might stimulate my listeners to consider the ways in which they might draw upon works in their own files…

Wordsmiths Don’t Fall into a Single Demographic Description
When you look around any gathering of writers, you’ll find that we’re: Young and old; formally educated and barely literate in the grammatical sense; gifted melodious speakers and hoarsely halting readers; technical prodigies and flawed yet persuasive explorers of every topic imaginable. The breadth and depth of our compositions are as varied as we are. And usually, if we’re old enough, such variety will be found spread throughout our individual bodies of work.

In projects of both fiction and non-fiction, I draw on a background in business, education, and the performing arts. As might be expected, there is no consistent pattern to my output—except for the decades of public relations, marketing, and design consultation I’ve performed for executives and their profit and non-profit entities.

Forms from the Past…
In preparing for my talk, I looked over previous work I had drawn upon for recent print, audio, and Internet projects. Not all were inspirational gems of form, content, or style, but each item I had chosen to re-purpose fulfilled a specific need. With every new project, I contemplate how the assignment fits within the scope of my professional history. Not only do I look for concepts, data, and text that may yield something I can reuse, but also the bits and pieces that should be moved to the recycle bin.

…Reshaping for Today and Beyond
This year’s springtime file pruning produced some of everything. I found business cards, ads, and brochures that could be used for marketing workshops. As I continued my file and closet clearing, I eyed posters and signage that could be augmented with a large artistic label for some future event. I quickly dismissed them as ineffective for a speech delivered from a podium. There was, however, one item I could share: a copy of Stephen Covey’s famous matrix of time and productivity management. The gist of this true jewel of philosophy is that if we focus on aspects of both our personal and professional lives that are important but not critical, we’ll be better prepared for challenges that may arise.

After a brief introduction of this principle to open my talk, I noted how elements of past writing had been folded into my writer’s blog [for samples, please visit https://www.Blog.ImaginingsWordpower.com]. From project inspiration to background research, through the phases of writing and editing, production, and marketing, I discussed how I select issues that may be of interest to other authors and artists. In addition to mentioning a few of those blog topics, I provided examples of material I’d chosen to use in recent book projects.

~ When I joined with five other authors to publish UNDER SONORAN SKIES, Prose and Poetry from the High Desert, I contributed both fiction and non-fiction. With new and as well as re-shaped pieces, we all expanded our repertoire. Knowing that publication of Prospect For Murder was approaching, I included its prologue. I also featured historical articles such as “The Holidays in Tucson, 1878,” which I read at the NWU meeting.

~ In Murder on Mokulua Drive [the second book of the mystery series], I’ve drawn on notes from my studies in history, plus a series of oral history interviews I conducted many years earlier. This has allowed me to mention the first woman registered to vote in the Territory of Hawai`i in 1920, and to place a major scene in the historic and ecologically significant site of Kawai Nui Marsh.

~ The compilation of the oral history interviews, Conversations with Caroline Kuliaikanu`ukapu Wilcox DeLima Farias has indeed proven to be an invaluable resource. Carol was a dear friend seeking to preserve her family’s history, library and other artifacts. Descended from Hawaiian nobility, her recollections of life in upcountry Maui in the early twentieth century and dancing hula in Waikīkī on December 6^th, 1941, delight both readers and listeners. In reshaping the layout for a book of the seven interviews and an audio edition comprised of the original recordings, I described how this resurrected project is benefiting from the comprehensive glossaries I’ve constructed for the Hawaiian and other non-English vocabulary included in the Hawaiian mysteries.

~ Finally, I referred to the fourth mystery, A Yen For Murder, for which I examined promo materials I wrote for Highland Games and the Hilo International Festival on the island of Hawai`i during the 1970s. This led to having Natalie reminisce about hearing a remarkable young woman play the Japanese koto at the Festival…and decades later having that woman, then a Buddhist priestess, become the victim.

In the future, I anticipate giving talks on the authorship process, for which many of these examples will be useful. Of course, there will also be samples of flawed book covers, changing email addresses, and evolving reviews to reference. How does all this relate to your work? Well, I wonder what awaits you when you dive into your own files. Will you choose to build on your dramatic successes? Or will you determine that what was once viewed as a failed project may rise to the realization of full and positive fruition?

Wishing you the best in your creative endeavors,
Jeanne Burrows-Johnson, author, consultant, and motivational speaker

For more ideas to strengthen your Wordpower^© and branding, please visit: Imaginings Wordpower and Design Consultation.

Follow Me:
Amazon, Arizona Authors Association, Apple Books
Audible, Authors Den, Barnes and Noble, Blogarama, Book Bub
Cozy Mysteries-Unlimited, Facebook, Good Reads, Hometown Reads

Book sellers may contact book distributors such as:
Baker & Taylor, Follett, IPG, Ingram, Mackin, Midpoint, TitleWave

The Value of an Index

Indexing Makes Non-Fiction Text User Friendly

ing Your Words
During the publication of the anthology Under Sonoran Skies, Prose and Poetry of the High Desert, I was pleased to receive positive mention in an review for my comprehensive index. As the artistic director for the project, part of my authoring strategies was to ensure that future as well as current readers would find the work user-friendly, as well as an enjoyable read. Despite my vision, some of my five co-authors have been less than enthusiastic about the value of indexing. In fact, one of them was involved in another anthology for which an index was deemed irrelevant since including one would have reduced the number of pieces from one of the book’s prolific authors.
Significance of The Lack of an Index
When I examined that book’s table of contents, I realized the work had frequent references to historical events and high-profile people. Unfortunately, the lack of an index precluded a reader’s ability to analyze the work fully. This was especially true if a reader wanted to compare text provided by multiple authors on a particular subject. And, with the passage of time, even someone who has read the book and is familiar with its topics would find it difficult to re-access specific references—at least in hardcopy. And it is true that reference searches in material in electronic format can be facilitated by utilizing a find or search command. But to accomplish a comparison of various authors’ views, the reader would have to create a separate listing of those citations that pertained to their interests.

Since one can never know how a work will be used at a future time, I believe there is one simple argument for indices in non-fiction: If it is logical that some reader may wish to locate a specific reference, there is a need for an index. Even when a book’s contents are directed to a specific audience, future developments within the field under discussion—let alone the unfolding of history—may yield an unexpected group of readers for whom an index will be invaluable.

Structuring an index usually begins by listing proper nouns contained in the work—meaning all people, geographic locations, and events of sufficient worth to have been named. Most word processing programs can help you gather and list such terms, even if they lack an actual indexing feature. Another tactic for refining an index is analyzing terms included by other authors addressing a parallel subject.

As you delve into your indexing project, you may find topics requiring in-depth analysis. In looking at the nouns you have initially listed, consider related names and topics that can be grouped under a general category. For example, a discussion of lions, dogs and parrots suggests that a general topic of animals would be appropriate. Of course, some words may not have such an obvious association. One area of complexity is persons of varied professional accreditation. If you lacked sufficient numbers of therapists, physicians and dentists to provide these individual categories, you might use a comprehensive term such as healthcare professionals. Consider the terms highways, access ways, and trains. While they do not all relate to forms of roadways, they might be listed under a general heading of transportation.

If you tire during the indexing process, consider returning to your analysis of the work of colleagues. For although you may have accessed the works of many authors during preliminary research, you may not have closely examined their indices. This semi-final exercise may not only reveal an approach to indexing you have not considered, but it may also reveal gaps in topics or subtopics within the body of your own work. Even if you decline to broaden the scope of your piece, you may wish to consider some additions to your afterword or bibliography.

Before I leave the topic of indexing, I should offer one cautionary note for avoiding a mammoth appendage to your actual composition: When in doubt about including a general category, consider whether you have a minimum of three words to list within it…

The art of communicating with readers requires diligence in refining your skills. It is as demanding an element in non-fiction as in a fine work of fiction. So, beyond indexing, what other tools of wordsmithing could enhance your reader’s experience?

Wishing you the best in your creative endeavors,
Jeanne Burrows-Johnson, author, consultant, and motivational speaker

Operational tips to help writers are available in the following blogs:
Fear of Losing Files, July 2015
The Value of an Index, August 2015
Taming Clutter, April 2016

For more ideas to strengthen your Wordpower^© and branding, please visit: Imaginings Wordpower and Design Consultation.

Follow Me On:
Amazon, Arizona Authors Association, Apple Books,
Audible, Authors Den, Barnes and Noble, Blogarama, Book Bub,
Cozy Mysteries-Unlimited, Facebook, Good Reads, Hometown Reads

Book sellers may contact book distributors such as:
Baker & Taylor, Follett, IPG, Ingram, Mackin, Midpoint, TitleWave